Unlimited Creative Possibility

For almost its entire history, cinema has used film as its recording medium. But recently this has changed drastically. In 1999, Sony released the first 24p digital motion picture production system, which was an important step in the shift toward digital production. In 2006, Sony launched the world's first 4K digital cinema projection system which has increased demand for high-quality digital content retaining 4K resolution. And now, following the introduction of Sony's F65 – an epoch-making digital cinema camera, Sony is launching some outstanding new products to strengthen its 4K toolset.

We have designed CineAlta™ 4K acquisition tools as 'total imaging systems' from sensor to codec for capturing the image rendered by lens with the utmost fidelity. Various cutting-edge technologies, such as a Super 35 mm imager, wider dynamic range and color gamut, high sensitivity, and high-speed recording systems, have been used in these camera systems, so that cinematographers can freely express their creative vision.

Regardless of any changes in technology or economy, our mission remains the same: to satisfy the ever-increasing demands of creative minds. Sony is committed to further elevating image quality and improving the visual experience. With this in mind, the CineAlta logo symbolizes 'infinity', which can also be thought of as 'unlimited creative possibility' and 'endless pursuit of perfecting technology'.

Spectacular Images from HD to 8K

Cutting-edge image sensors are at the heart of CineAlta 4K cameras. The F65 has an 8K sensor, and the F55 and F5 have different types of 4K sensor. These Super 35 mm 8K/4K CMOS sensors deliver unparalleled 8K/4K/QFHD/2K/HD resolution images with extremely fine texture and low aliasing. Even if your postproduction and deliverables are in 2K/HD, these sensors provide gorgeous, super-sampled 2K/HD images that ordinary HD cameras cannot touch.

Say Goodbye to the "Jello Effect" and "Flash Banding"

The F55 incorporates a newly developed frame image scan technology, which completely eliminates the so-called "jello effect" and "flash banding" that are typical of other CMOS sensors. With this technology, you will never again hesitate to shoot fast-moving objects or a press conference flooded with flashlights.

Capture a Dramatic Moment

With CineAlta 4K cameras, you can record images at variable speeds up to 180 frames per second (fps) in 2K/HD with the F55 (120 fps with the F5)*¹ and 120 fps in 4K with the F65. High-framerate recording allows you to create super-slow-motion effects, which can change an ordinary daily incident into a dramatic scene.

Beyond the Limit of Human Vision

Sony's new image sensors and the in-camera image processors of CineAlta 4K cameras give you impressive 14 stops of exposure latitude, high sensitivity, and low noise. These cameras deliver superclear images, even if you are shooting interiors or night exteriors with only ambient lighting, and also enable graceful rendering of scene contrast even in searing sunlight.

More Colors than Print Film

CineAlta 4K cameras capture an incredible dynamic range, from deep shadow to bright highlights, and the widest color gamut ever, even wider than print film, and precisely reproduce the true color of what you see. These capabilities give colorists full flexibility in color correction during postproduction.

Cost-efficient Production System for HD to 4K

Sony has developed a new XAVC™ recording format that delivers workflow efficiency and optimized image quality. It uses the MPEG-4 AVC/H.264 compression codec, and supports HD, 2K, QFHD and 4K resolution *¹ for variable content creation from TV programs to feature films. XAVC establishes a cost-efficient ecosystem for HD highframe-rate and 4K 60p production, and this will accelerate the expansion of the 4K content market. Additionally, XAVC is an open format, and is supported by industryleading manufacturers.

• · Support for HD, 2K, QFHD, and 4K resolution *¹
• · MPEG-4 AVC/H.264 video compression
• · 4:4:4, 4:2:2, 4:2:0 10-bit color sampling
• · 4K video recording at 23.98p, 24p, 25p, 29.97p, 50p, and 59.94p as native format *²
• · High frame rate up to 180 fps in 2K/HD with the F55 for super-slow-motion *³
• · Newly developed SxS PRO+ memory card for XAVC recording with the F55 and F5

Easier and Faster RAW Workflow

To retain all the 4K RAW data from F55 and F5 CMOS Image Sensors, we had to develop an ultra-high-speed, high-capacity recording system that was also computer-friendly and cost-efficient. This was successfully achieved with the AXSM™ system.

Easier and Faster RAW Workflow

By employing Sony's unique high-speed recording technology, AXSM card offers a 512 GB capacity and 2.4 Gbps (300 MB/s) sustained transfer speed to record 4K RAW data up to 60p and 2K RAW data up to 240 fps *¹ via an AXS-R5 RAW recorder with the F55. In addition, the generic exFAT file system makes the AXSM card more computer-friendly when used with an economical card reader, the AXS-CR1, which has a USB3.0 interface for high-speed file transfer to your computer without any special driver software.

PL Mount Prime Lens and More

A new 6 x PL mount prime lens set has been developed for the F55 and F5. The set includes focal lengths of 20, 25, 35, 50, 85, and 135 mm. Each is certified for 4K capture, while minimizing geometric distortion, vignetting, and breathing. For easy lens changes, all lenses have a consistent design such as an aperture of T2. A 9-blade iris delivers beautiful bokehs and focus rings rotate 240°. In addition, by removing the supplied PL mount adapter, a native FZ mount allows the F55 and F5 cameras to accept FZ mount lenses directly, and SLR and DSLR lenses via third-party adapters, all without optical degradation. In short, this gives you great flexibility in lens choice.

PVM-X300 TRIMASTER 4K Monitor

The PVM-X300 is a 30-inch*¹ 4096 x 2160 resolution monitor for powerful support of 4K monitoring in the field. It incorporates Sony's exclusive TRIMASTER™ technology architecture, achieving excellent color and picture quality reproduction.

• · 30-inch *¹, 4096 x 2160
• · True 4K RGB 10-bit LCD, IPS wide viewing angle, ITU-R BT.709 color space
• · Wide variety of 4K interface: 3G SDI (x 4), HDMI (x 4), Display port (x 2) *²
• · SxS 4K player for XAVC 4K/HD (option) *²
• · HDMI x 1 cable connection with the F55 (up to 4K 60p)
• · Selectable control system (control panel, optional BKM-16R Control Unit *², PC *²)
• · Zoom*², Camera Focus, Stereo Audio Output
• · Marker Display*², Auto White Adjustment*²